CATALOG NO. 01

The warehouse collection

Catalog No. 01 serves as the permanent record of an unexpected collection of untouched 1970s carpet discovered in Upstate New York. As the collection gradually finds new homes, this archive preserves each pattern as part of its permanent record.

the dina

COLLECTION NOTES

Dense layers of rust, amber, tobacco, and golden ochre merge into an abstract composition that reveals new variations in changing light. Rather than relying on a defined motif, the pattern builds depth through texture and subtle tonal shifts, allowing the richly layered palette to become the composition itself.

Status: SOLD OUT

The ralph

COLLECTION NOTES

Broad bands of rust, chocolate brown, cream, charcoal, and burnt orange transform the traditional plaid into a composition with remarkable visual rhythm. Fine linework softens the larger blocks of color, giving the pattern a tailored character reminiscent of woven blankets and heritage textiles.

Status: LIMITED AVAILABILITY
Status: SOLD OUT

The Hopkinton

Built around a repeating lattice of stylized floral medallions, this pattern balances geometric structure with organic ornament. Shades of sage, olive, ochre, and warm earth create remarkable visual rhythm, while the finely layered composition reveals new details at every glance.

COLLECTION NOTES
COLLECTION NOTES

The columbia

A repeating lattice of interlocking hexagonal forms creates a composition defined by symmetry and visual rhythm. Bright lime, olive, and moss tones bring energy to the structured geometry, while the textured pile introduces a softer, more organic quality to the surface.

Status: SOLD OUT

the berkeley

Soft tonal shifts of dusty rose, mauve, blush, and muted berry create an abstract composition defined by texture rather than motif. The layered palette changes gently across the surface, revealing subtle movement and depth without relying on bold contrast. Its restrained character gives the pattern a calm, almost velvety presence.

COLLECTION NOTES
Status: LIMITED AVAILABILITY

The ASPEN

Amber, ochre, moss, and warm brown blend into an abstract field of color shaped by movement rather than a defined motif. The layered pile creates remarkable depth, allowing highlights and shadows to shift across the surface as the light changes. Rich in texture and variation, the composition feels organic without becoming chaotic.

COLLECTION NOTES
Status: SOLD OUT
COLLECTION NOTES

The sonora

A bold geometric defined by olive, sand, and walnut tones, The Sonora reflects the confident scale and earthy palette that characterized residential interiors of the 1970s. While unmistakably of its era, its architectural composition feels surprisingly current, making it equally at home in contemporary spaces today.

Status: LIMITED AVAILABILITY
COLLECTION NOTES

The pacific

Bands of deep blue and warm neutrals create one of the quieter compositions within the archive. The Pacific relies on rhythm rather than contrast, giving the pattern a versatility that translates easily across both residential and commercial interiors.

Status: SOLD OUT

the evergreen

Soft, textured, and full of depth, The Evergreen blends warm moss, olive, and golden tones into an organic pattern that feels inspired by nature. It has that unmistakable 1970s warmth without overpowering a space, making it just as at home in a cozy cabin as it is in a modern home looking for a little character.

COLLECTION NOTES
Status: LIMITED AVAILABILITY

The Seidman

Layered plaids in tobacco, espresso, and cream give The Seidman an understated familiarity. Rooted in classic American interiors, its balanced composition feels equally suited to mountain homes, libraries, and spaces that favor warmth over ornament.

COLLECTION NOTES
Status: SOLD OUT
COLLECTION NOTES

The sedona

One of the most striking color studies within Catalog No. 01, this pattern pairs saturated cobalt with amber, copper, and charcoal in an abstract composition that feels almost geological. Built through texture rather than motif, it demonstrates the bold experimentation with color that characterized many interiors of the decade.

Status: LIMITED AVAILABILITY
COLLECTION NOTES

The canyon

Defined by broad bands of amber, rust, chestnut, and deep brown, this pattern evokes the layered qualities of weathered stone rather than a traditional textile motif. Painterly in composition and rich in texture, it reflects the era's fascination with organic forms and expressive color.

Status: LIMITED AVAILABILITY

the glenn

Defined by sculpted relief rather than bold contrast, this pattern creates depth through texture and subtle variation in tone. Layered shades of olive and moss green give the composition a quiet richness, reflecting the era's appreciation for organic forms and monochromatic interiors. Restrained in palette yet remarkably dimensional, it demonstrates how texture alone can become the defining element of a design.

COLLECTION NOTES
Status: SOLD OUT

The richmond

A richly heathered blend of terracotta, brick, chestnut, and warm cream gives this pattern remarkable depth despite the absence of a defined motif. Rather than relying on bold geometry, the composition is shaped through subtle tonal variation, allowing the texture itself to become the primary visual element. Its understated character rewards close observation, revealing new layers of color across the surface.

COLLECTION NOTES
Status: LIMITED AVAILABILITY
COLLECTION NOTES

The sumi

Rather than following a defined motif, this pattern unfolds in flowing bands of olive, sage, moss, and warm ivory that resemble the veining of natural stone. Rich shag texture softens the transitions between color, creating an organic composition with remarkable depth and movement. It stands as one of the most sculptural patterns preserved within Catalog No. 01.

Status: SOLD OUT
COLLECTION NOTES

The mesa

Built from layered shades of amber, sienna, rust, and burnt ochre, this pattern creates the impression of shifting light across a rugged landscape. Its richly textured shag construction diffuses the transitions between color, giving the composition a quiet sense of movement that feels painterly rather than patterned.

Status: LIMITED AVAILABILITY

the marigold

One of the most intricate compositions within Catalog No. 01, this pattern is formed from hundreds of repeating floral-inspired medallions that create remarkable visual rhythm across the surface. Shades of ochre, moss, olive, and chestnut give the composition richness without overwhelming its finely balanced structure, resulting in a pattern that reveals new details the longer it is observed.

COLLECTION NOTES
Status: LIMITED AVAILABILITY

The heirloom

A patchwork of geometric and botanical motifs gives this pattern a distinctly handcrafted character. Bright greens, warm browns, and textured neutrals are arranged in a composition reminiscent of heirloom quilts and woven textiles, reflecting the playful experimentation with color and form that defined many interiors of the 1970s.

COLLECTION NOTES
Status: LIMITED AVAILABILITY
COLLECTION NOTES

The cascade

Layered shades of blue and teal move softly across the surface, with darker tones emerging through a lighter ground. Changes in color and pile create areas of light and shadow, giving the pattern a fluid, almost shifting quality. The variation becomes more apparent as the carpet catches the light, revealing depth that isn't immediately visible from a distance.

Status: LIMITED AVAILABILITY
COLLECTION NOTES

The verdant

A nearly monochromatic field of fresh green is shaped by subtle changes in pile height rather than shifts in color. The raised and recessed areas create a softly sculpted surface, allowing light and shadow to reveal movement across the otherwise uniform palette. Quiet from a distance, its structure becomes more apparent at closer range.

Status: LIMITED AVAILABILITY

the Bradford

Layers of tobacco, chestnut, cream, charcoal, and muted amber form a densely woven plaid with an almost patchwork quality. Broad blocks of color are interrupted by finer lines and shifting weave patterns, creating variation within the otherwise structured composition. The result feels familiar without belonging to any single interpretation of a traditional plaid.

COLLECTION NOTES
Status: LIMITED AVAILABILITY

The braken

Dense layers of olive, chartreuse, rust, and umber create an abstract composition that feels almost botanical in character. Rather than relying on a defined motif, the pattern builds movement through richly varied texture and color, resulting in a surface that appears to shift and evolve as it catches the light.

COLLECTION NOTES
Status: SOLD OUT
COLLECTION NOTES

The solarium

Distinguished by its tightly looped construction, this pattern offers a noticeably different texture from the plush cut-pile designs found elsewhere in Catalog No. 01. A heathered blend of moss, sage, sand, and warm cream softens the structured surface, creating a composition that blurs the line between interior flooring and natural ground cover. Its woven appearance reflects an enduring appreciation for bringing natural textures indoors.

Status: LIMITED AVAILABILITY
COLLECTION NOTES

The terrace

Broad bands of terracotta, sand, chestnut, and charcoal are woven into a tightly looped surface that emphasizes texture as much as pattern. The low-profile construction gives the linear composition a tailored character, while its warm palette recalls the relaxed elegance of sunrooms, terraces, and indoor-outdoor living spaces.

Status: LIMITED AVAILABILITY

the Quarry

Built from softly layered shades of sage, moss, olive, and pale stone, this pattern creates depth through gentle shifts in tone rather than defined contrast. Its sculpted surface gives the composition an almost weathered character, allowing texture and movement to emerge gradually across the pile.

COLLECTION NOTES
Status: SOLD OUT

The hudson

A large-scale plaid in golden yellow, burnt orange, burgundy, and deep brown gives this pattern a strong graphic presence. Broad blocks of color are crossed by finer lines and repeated windowpane forms, creating a composition that feels structured without becoming rigid. Its scale and saturated palette give the design the character of a woven blanket translated across an entire floor.

COLLECTION NOTES
Status: SOLD OUT
COLLECTION NOTES

The linden

Subtle tonal shifts in fresh green create a softly textured composition that reveals itself gradually rather than through bold contrast. Gentle movement across the pile gives the surface a quiet sense of depth, demonstrating how restrained color can become the defining feature of a pattern.

Status: LIMITED AVAILABILITY
COLLECTION NOTES

The hawthorne

A muted blend of olive, sage, and soft earth tones creates a composition defined by texture rather than motif. Fine tonal variation gives the surface a woven character, while its understated palette rewards closer observation, revealing subtle depth across the pile.

Status: LIMITED AVAILABILITY

the MONTEREY

A saturated field of yellow-green is broken only by subtle variations in pile, creating an irregular surface that shifts as the light moves across it. Rather than forming a defined pattern, the texture rises and falls organically, giving the otherwise uniform color a surprising amount of depth.

COLLECTION NOTES
Status: LIMITED AVAILABILITY

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